Who- Ottoman architect Sinan
What- Illuminated tughra
When- ca 1555-1560
Where- Constantinople, Istanbul, Turkey
Why- for Suleyman the Magnificent
How- Ink, paint, and gold on paper
Sunday, November 29, 2015
Palace of the Lions
Who- Nasrids
What- Muqarnas dome, Hall of the Abencerrajes, Palace of the lions
When- 1354-1391
Where- Alhambra, Granada, Spain
How- octagonal drum, carved stucco muqarnas, rose colored stone
Dome of the Rock
Who- Abd al-Malik
What- Aerial view of the dome of the Rock
When- 687-692
Where- Jerusalem
Why- here Muhammad began his miraculous journey to heaven marks the triumph of islam
How- domed octagon
Christ as Pantokrator
Christ as Pantokrator, dome
mosaic in the Church of the Dormition,
Daphni, Greece, ca. 1090–1100. The image
of Christ as Pantokrator refers to his role
as the last judge of humankind
mosaic in the Church of the Dormition,
Daphni, Greece, ca. 1090–1100. The image
of Christ as Pantokrator refers to his role
as the last judge of humankind
Throne of Maximianus
Throne of Maximianus, ca. 546–556. Ivory and wood, 4’ 11” X 1’ 11 1/2". Museo Arcivescovile, Ravenna.
Christ as Savior of Souls
Christ as Savior of Souls, icon from
the church of Saint Clement, Ohrid, Macedonia,
early 14th century. Late Byzantine Tempera, linen,
and silver on wood, 3’ 1/4” X 2’ 2 1/2”. Icon
Gallery of Saint Clement, Ohrid
the church of Saint Clement, Ohrid, Macedonia,
early 14th century. Late Byzantine Tempera, linen,
and silver on wood, 3’ 1/4” X 2’ 2 1/2”. Icon
Gallery of Saint Clement, Ohrid
Christ before Pilate
Christ before Pilate,
folio 8 verso of the Rossano Gospels,
early sixth century. Tempera on
purple vellum, 11” X 10 1/4”.
Museo Diocesano d’Arte Sacra,
Rossano. Vienna Genesis
folio 8 verso of the Rossano Gospels,
early sixth century. Tempera on
purple vellum, 11” X 10 1/4”.
Museo Diocesano d’Arte Sacra,
Rossano. Vienna Genesis
Theodora and attendants
Theodora and attendants, mosaic on the south wall of the apse, San Vitale, Ravenna, Italy, ca. 547 Early Byzantine.
Annunciation, reverse of two-sided
Annunciation, reverse of two-sided
icon from Saint Clement, Ohrid, Macedonia, early
14th century. Tempera and linen on wood, 3’
1/4” X 2’ 2 3/4”. Icon gallery of Saint Clement,
Ohrid.
icon from Saint Clement, Ohrid, Macedonia, early
14th century. Tempera and linen on wood, 3’
1/4” X 2’ 2 3/4”. Icon gallery of Saint Clement,
Ohrid.
Archangel Michael
Archangel Michael, icon, from Constantinople, late 10th or early 11th century. Gold, silver gilt, and cloisonné enamel, 1’
7” X 1’ 2”. Tesoro di San Marco, Venice. from Saint Mark’s Cathedral.
7” X 1’ 2”. Tesoro di San Marco, Venice. from Saint Mark’s Cathedral.
Micheal the Archangle
Saint Michael the Archangel, right leaf of a diptych,
early sixth century. Ivory, 1’ 5” X 5 1/2”. British Museum,
London. The model for the Archangel Michael was a winged
Victory.
early sixth century. Ivory, 1’ 5” X 5 1/2”. British Museum,
London. The model for the Archangel Michael was a winged
Victory.
Hagia Sophia
ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS, aerial view of Hagia Sophia, Constantinople
(Istanbul), Turkey, 532–537.
(Istanbul), Turkey, 532–537.
Friday, November 13, 2015
Chapter 8
Who- Greco Romans
What- Christ Seated
When- 350-375
Where-from Civita Latina, Italy, ca
Why- retain traditional greco-roman values
How- Marble
Who- Romans
What- Interior of Santa Sabina Looking northeast
Where- Rome, Italy
When- 422-432
Why- Constantine reign
How-Timber-roofed illuminated by clerestory windows corinthian columns
What- Sarcophagus of Junius Bassus
Where- from Rome, Italy,
When- 359
Why- Junius Bassus was baptized into Christianity just before his death
How- Marble
Who- Romans
What- Miracle of the loaves and fishes,
Where- from the top register of the nave wall (above the clerestory windows) of Sant'Apollinare Nuovo, Ravenna, Italy,
When- ca. 504
why- tell story
How- mosaic
Who- Romans
What- Christ as Sol Invictus,
where- detail of the mosaic Vatican Necropolis, Rome, Italy,when- late third century
Why- tell story
How- mosaic
Who- Romans
what- The Old farmer Corycus, folio 7 verso
where- of the Vatican Vergil,
when- ca 400-420
how- Tempera on parchment codex's gradual replacement of the scroll-the dominant book form in the ancient world- has been called the most important advance in book making before the invention of printing
Subscribe to:
Posts (Atom)